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Hermann Gunkel (; 23 May 1862 – 11 March 1932), a German Old Testament scholar, founded form criticism.
He also became a leading representative of the history of religions school. His major works cover Genesis and the Psalms, and his major interests centered on the oral tradition behind written sources and in folklore.
Gunkel started his career in New Testament studies at Göttingen in 1888. However, he was soon transferred to Halle (1889–1894) and told to concentrate on the Hebrew Bible by the Prussian academic appointments authority. He went on to teach in Berlin (1894-1907), where he made many inter-disciplinary contacts. His 1895 book Creation and Chaos in the Primeval Era and the Eschaton compared the symbolism in Genesis and Revelation 12. In 1901, he produced the first of three editions of commentary on Genesis, Genesis Translated and Explained.
In 1907, Gunkel finally obtained a full professorship at the University of Giessen. There he produced the third and final edition of Genesis in 1910 and The Prophets in 1917. He moved to the University of Halle-Wittenberg in 1920. He published another standard work, his commentary on the book of Psalms, The Psalms: Translated and Explained in 1926. Introduction to the Psalms was his last major project, brought to completion by his student Joachim Begrich in 1933.
Gunkel founded the series Research into the Religion and Literature of the Old and New Testaments (1903–) with Wilhelm Bousset. He also co-edited with Leopold Zscharnack the second edition of the German religious encyclopedia Religion in History and the Present (1927–1931), in which he authored over one hundred articles.
Gunkel and the school thought that the oral traditions that form the origins of the Hebrew Bible were directly tied to other Near Eastern religions. Gunkel arguably produced his most important work in his commentary on Genesis, published in three editions from 1901 to 1910.
In these works he created the new critical methodology of form criticism ( Formgeschichte).
Form criticism examined the genres used in the biblical text to identify the Sitz im Leben (setting in life) that produced the text. This approach was based on the assumption that each genre is organically associated with a particular social and historical situation. Nineteenth-century source criticism had examined the biblical text, especially the Pentateuch, on the basis of style, vocabulary, theology, and other criteria to identify the basic literary sources used to create the text. Form criticism allowed scholars to go behind these larger literary sources by identifying the smaller and older sources used by their authors. Because of its utility, form criticism became immensely influential in Germany and Europe during the 20th century, with important scholars like Gerhard von Rad and Martin Noth applying and developing it.
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